Bill clinton kalonji biography template

  • Read Bill Clinton Kalonji's bio and find out more about Bill Clinton Kalonji's songs, albums, and chart history.
  • Didier mukeba kalonji aka bill clinton,nsengu ku di bende,macintosh,mufalme de kamitruka,virabandra.was born oN 4th of july in 1979;he is.
  • Didier Mukeba Kalonji, known under the artist names Bill Clinton or Monsignor Dangwé and Macintosh, born July 4, 1979, is a Congolese singer and atalaku.
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    Werrason

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    Werrason used to be together with J.P. Mpiana in the then hugely popular Wenge Musica from Zaire which has since been renamed D.r. Congo. The two musicians later went their separate ways with each of them leading sepa rate musical groups. View wiki

    Werrason used to be together with J.P. Mpiana in the then hugely popular Wenge Musica from Zaire which has since been renamed D.r. Congo. The two musicians later went their separate ways wi… read more

    Werrason used to be together with J.P. Mpiana in the then hugely popular Wenge Musica from Zaire which has since been renamed D.r. Congo. The two musicians later went their separate ways with each of them leading sepa rate musical groups. View wiki

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    1. bill clinton kalonji biography template
    2. He showed up at an audition at Wenge Musica wearing a t-shirt bearing the image of the American president, Bill Clinton. When it came his turn to audition, the talent scout, not knowing his name, simply called him by that of the character on his t-shirt. His audition was a brilliant success, and he became part of the famous Wenge Musica group under the name, Bill Clinton.

      Bill Clinton will remain in annals of Congolese music as the man who revolutionized the art of the atalaku. The term atalaku is an onomatopoeia of sorts, and refers to the artist who creates and assembles a random string of short verbal sequences known as “shouts”; these sequences are percussive in nature, and serve as the foundational “beat” for the fast-paced dance sequences found in today’s Congolese popular music.

      The atalaku role was incorporated into the structure of several traditional groups, such as Zaïko Langa Langa; their success was such that all orchestras were compelled to incorporate the role of these “criers.” The public gave these “criers” the common noun of atalaku.

      Nobody asked the atalaku to sing, furthermore to sing well, but with time, they evolved out of the role of simple crier to that of singer and some

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