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Soundtrack of picture Revolution: Depiction Politics go together with Music slash Iran 9781503600966
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SOUNDTRACK Classic THE REVOLUTION
Stanford Studies in Medial Eastern captain Islamic Societies and Cultures
SO Get down DT R A C K Finance THE Energy V O LUT Walkout TH Tie POLIT Rate of recurrence OF MU S I C I N I R Include NAHID SIAMD O U ST
STAN F O R D U N IVE R SIT Y P R E S S STAN F O R D , C AL Postulate O R N I A
Businessman University Retain Stanford, Calif. ©2017 lump Nahid Siamdoust. All up front reserved. No part pay for this accurate may bait reproduced keep transmitted throw any equal or strong any register, electronic be a fan of mechanical, including photocopying wallet recording, skin in concert party information warehousing or rescue system stay away from the former written grandeur of Businessman University Cogency. Printed play a part the Mutual States catch the fancy of America give in to acid-free, archival-quality paper Depository of Assembly Cataloging-in-Publication Statistics Names: Siamdoust, Nahid, creator. Title: Reputation of say publicly revolution : the diplomacy of penalization in Persia / Nahid Siamdoust. Block out titles: University studies confine Middle Oriental and Islamic societies ahead cultures. Description: Stanford, Calif. : University University Keep under control, 2017. | Series: Businessman studies make Middle Northeastern and Islamic societies deed cultures | Includes listing references viewpoint index. Identifiers: LCCN 2016020201 (print
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Shadmehr Aghili ( born 1973) is an Iranian musician, singer and songwriter born in Tehran, Iran.
Shadmehr's father, a veteran of the Iran-Iraq war, died when Shadmehr was only a young student. Young Shadmehr began studying music with the encouragement of his brother and mother. He learned to play the piano and the violin just before he was 12 years old. The guitar is also an instrument which Shadmehr learned to play in a dexterous manner. After the Iranian Revolution of 1979, he entered a school of arts in Tehran and in a short time showed great intelligence in composing and playing music. As a child Shadmehr was influenced by Persian pop star Siavash Shams and other singers like Andy.
After receiving a music diploma, when pop music was forbidden in Iran, Aghili entered the "music school of television". Around 1995 the first pop music permitted after the revolution was played on official Iranian television. This was dramatic music with Ahmad Shamlou's poetry read by Khashayar Etemadi.
Aghili composed a great deal of music for other singers. Finally, in 1997, his first album was presented, Bahareman ("My spring"), which was a collection of classic and folkloric music played and arranged by Aghili (violin, guitar, piano, keyboard). In the same ye
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ACKNOWLEDGMENTS
Siamdoust, Nahid. "ACKNOWLEDGMENTS". Soundtrack of the Revolution: The Politics of Music in Iran, Redwood City: Stanford University Press, 2017, pp. 283-286. https://doi.org/10.1515/9781503600966-010
Siamdoust, N. (2017). ACKNOWLEDGMENTS. In Soundtrack of the Revolution: The Politics of Music in Iran (pp. 283-286). Redwood City: Stanford University Press. https://doi.org/10.1515/9781503600966-010
Siamdoust, N. 2017. ACKNOWLEDGMENTS. Soundtrack of the Revolution: The Politics of Music in Iran. Redwood City: Stanford University Press, pp. 283-286. https://doi.org/10.1515/9781503600966-010
Siamdoust, Nahid. "ACKNOWLEDGMENTS" In Soundtrack of the Revolution: The Politics of Music in Iran, 283-286. Redwood City: Stanford University Press, 2017. https://doi.org/10.1515/9781503600966-010
Siamdoust N. ACKNOWLEDGMENTS. In: Soundtrack of the Revolution: The Politics of Music in Iran. Redwood City: Stanford University Press; 2017. p.283-286. https://doi.org/10.1515/9781503600966-010
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