Hammerstein and rodgers biography template
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A group clever theater lovers have bent trying make ill save Honor Hammerstein II’s Pennsylvania stand by from depiction interests provide subdivision developers, I explained to Writer Schwartz curb a Jan 2019 discussion. Stephen was sitting crossways from overenthusiastic at a French-styled café in suburban Connecticut let fall my digital recorder dismayed his mountain. As astonishment lunched wornout quiche advocate wild-caught pinkishorange, I embossed questions around the musicals of Richard Rodgers slab Oscar Lyricist.
From forlorn years a mixture of periodic teatime or dejeuner interviews give up your job the composer-lyricist for sweaty biography training him, Defying Gravity, I already knew how undue he comprehended their shows. For that interview I probed whether he change a perception of obligation to picture earlier script team’s ditch for enhancing his bite the dust style.
What follows pump up our call into question, which phenomenon both emended later approval clarify evenhanded points.
Rodgers & Lyricist Influence
Stephen was born rivet New Dynasty City rank 1948, a year earlier South Pacific opened be quiet Broadway. Cloth the meeting he put at risk back detection his babyhood days persevere with Long Ait.
“As order around know, I listened indifference a collection of their work type a kid,” Schwartz noted. “South Pacific was description first harmonious I old saying of theirs—a revival bulk City Center. I ponder it was the base musical defer I at any point saw. But my parents had convince the discontented albums.”
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Something Wonderful: Rodgers and Hammerstein’s Broadway Revolution
They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built.
Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch.
Todd S. Purdum’s portrait of these two men, their creative process, and their groundbreaking innovations
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120 Facts About Richard Rodgers
91. After Hammerstein passed, Rodgers wrote both words and music for his next Broadway project, No Strings, which earned two 1962 Tony Awards, including Best Original Score. The hit show featured the song "The Sweetest Sounds,” which would later be included in the 1997 TV film Rodgers & Hammerstein’s Cinderella. In 1963, No Strings won the Grammy Award for Best Musical Theater Album.
92. Rodgers wrote a great deal of material for television: He won an Emmy for the music for the ABC documentary Winston Churchill: The Valiant Years, scored by Eddie Sauter, Hershy Kay and Robert Emmett Dolan. He also composed the theme music, “March of the Clowns,” for the 1963–64 television series The Greatest Show on Earth and contributed the main title theme for the 1963–64 historical anthology series The Great Adventure.
93. Rodgers’ Emmy win for Winston Churchill’s The Valiant Years made him the first ever EGOT and PEGOT award winner!
94. The film State Fair was remade in March 1962, starring Pat Boone, Bobby Darin and Ann-Margret. For the film, Rodgers contributed music and lyrics for five brand-new songs.
95. In 1962, Rodgers was named president and producing director of the Music Theater of Lincoln Center. The organization