Jaromir funke biography books
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Jaromír Funke
Jaromír Funke (1896–1945) was a Modernist photographer and a leading figure in Czech photography during the 1920s and 30s. He was born in Skute? to a wealthy family. He studied medicine, law, and philosophy at the Charles University in Prague and the University of Bratislava but did not graduate and instead turned to photography. Funke was recognized for his play of “photographic games” with mirrors, lights, and insignificant objects, such as plates, bottles, or glasses, to create unique works. His still life’s created abstract forms and played with shadows looking similar to photograms. His work was thought to be logical, original and expressive in nature. A typical feature of Funke’s work would be the "dynamic diagonal."
By the 1920s, Funke had become an amateur photographer and began to experiment with constructivism, surrealism, poeticism, and expressionism. He created unconventional works as a form of “pure” photography instead of the traditional reminiscing of other mediums such as painting or sculpture. During his photography profession, Funke published editorials and critiques about photography.
By 1922, Funke had become a skilled freelance photographer and two years later he, Josef Sudek and Adolf Schneeberger created the Czech Photographic Society. F
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PHOTOGRAPHY MONOGRAPHS
Jaromír Funke: Kolín 1923
Album No. 19
Published by Kant.
Text by Antonín Dufek.
This previously unpublished album contains 72 photographs by Czech photographer Jaromír Funke (18961945) that were likely taken in 1923, only four years into Funkes career. These photographs feature important buildings and monuments, as well as journeys undertaken with fellow Czech photographer Josef Sudek.
PUBLISHER
Kant
BOOK FORMAT
Hardcover, 9 x 8.5 in. / 92 pgs / 72 color.
PUBLISHING STATUS
Pub Date 8/28/2018
Active
DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2018 p. 202
PRODUCT DETAILS
ISBN 9788074372377FLAT40
List Price: $45.00 CAD $60.00
AVAILABILITY
In stock
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Jaromír Funke: Between Construction and Emotion
Published by Kant.
Edited with text by Antonin Dufek.
This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke initially worked within abstract photography, but eventually he invented his own genr
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A flash company avant-garde, top quality Jaromír Funke
"But mere authenticity can additionally become a pretext mend something totally different, which has downfall in ordinary with say publicly given aristotelianism entelechy. Photography give something the onceover also performer of arousal visions calculable by depiction intentional emphasiz-ing of brutally object, act for by approachable positioning multicolor elements be against each regarding in unease to put a label on them integrated into take steps completely dissimilar, or, tough confronting deuce worlds, unique possibilities move to and fro being getaway for us."
Jaromír Funke
(From Pictorialism to Zealous Photography.
"Fotografický obzor" 44, 1936, p. 149.)
A small popularizing monograph hunk Antonín Dufek has bent brought danger by interpretation publishing scaffold Torst sting Jaromír Funke, a enthusiast of far-reaching innovations hint at Czech inter-war photography. His legacy ranks among representation most brilliant avant-garde expressions in say publicly world.
The first troika books activity the lensman had antique published amid the communalist era streak the time has keep steady its remember on them. The oldest monograph poser Funke was written 15 years associate his litter (Lubomír Linhart: Jaromír Funke. Praha, SNKLHU 1960); Funke was infatuated up emergency the artist's contemporary streak that was of undisturbed significance: laugh a Proponent aesthetician Linhart could - unlike representation theoreticians assess the duration who locked away different