Raffaellino del garbo biography sample
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Italian Renaissance Learning Resources
Alberti, Leon Battista
(b Genoa, 14 Feb 1404; d Rome, April 1472). Italian architect, sculptor, painter, theorist and writer. The arts of painting, sculpture and architecture were, for Alberti, only three of an exceptionally broad range of interests, for he made his mark in fields as diverse as family ethics, philology and cryptography. It is for his contribution to the visual arts, however, that he is chiefly remembered. Alberti single-handedly established a theoretical foundation for the whole of Renaissance art with three revolutionary treatises, on painting, sculpture and architecture, which were the first works of their kind since Classical antiquity. Moreover, as a practitioner of the arts, he was no less innovative. In sculpture he seems to have been instrumental in popularizing, if not inventing, the portrait medal, but it was in architecture that he found his métier. Building on the achievements of his immediate predecessors, Filippo Brunelleschi and Michelozzo di Bartolomeo, he reinterpreted anew the architecture of antiquity and introduced compositional formulae that have remained central to classical design ever since.
Paul Davies, David Hemsoll
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Ammanati, Bartolome
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Filippino Lippi was among the most gifted and accomplished Florentine painters and draftsmen of the second half of the fifteenth century. He was born around 1457, the product of a famous and illicit relationship between the painter Fra Filippo Lippi and the young nun Lucrezia Buti. Trained first by his father, he entered the workshop of Sandro Botticelli in 1472, three years after his father’s death. He went out on his own a few years later, having developed a manner that was deeply imbued with the influence of his two great masters.
From the first, Filippino’s style as a painter and draftsman was marked by animated form and line, as well as a rather warm colorism. These features are evident in relatively early works such as the Tobias and the Angel (National Gallery, Washington, D.C.) and the Adoration of the Kings (National Gallery, London), which also contain a vivid and naturalistic rendering of landscape.
Filippino’s first major project was the completion of the fresco cycle begun by Masaccio and Masolino in the Brancacci Chapel, Santa Maria del Carmine, Florence, which had remained unfinished for more than half a century. Here Filippino adjusted his style to allow his contribution to seamlessly mesh with Masaccio’s more monumental manner.
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Four entries (Jacopo del Sellaio; Raffaellino show Garbo; Francesco Botticini; Cosimo Rosselli)
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